Twilight i blodet

Meyer, relaxed and happy to share, tells them plenty:

•On the illustrated guide: “My favorite part is the vampire histories. There’s a lot there that’s new. Alice’s (Cullen) back story is one no one has known until now. And I think fans will be surprised at how much fun (Cullen nemesis) Victoria’s story is.”

•On whether she’ll ever write more books about Edward and Bella: “The story’s already been told, and I doubt I’ll ever write another series based on the same characters.”

•On the possibility she’d ever finish Midnight Sun, a Twilight novel told from Edward’s viewpoint that she nixed when parts of it were leaked online in 2008: “I’m hoping to do it someday because I know that’s what people want. No matter what book I put out from here to eternity they’ll want Midnight Sun, but I’m just not writing about vampires right now.”

•On an as-yet-untitled book she might publish next: “It’s a fantasy that takes place in another world where people are using bows and arrows and swords. There’s a little bit of magic, but it’s a very limited form of magic. The characters are human, and some have the ability to use magic and some don’t. It’s pretty dark. People die. The main character is a 17-year-old girl, and she’s kind of cool.”

•On another book she might complete and publish: “When I was growing up, I was obsessed with mermaids. I do have a very elaborate outline for a book. I’m not working on it right now, but I have the feeling it’s going to be big. It’s going to be 1,000 pages.”

•On the second book in her three-book adult science-fiction series that began with The Host in 2008: “I have the outline written and the first two chapters. I need to get on it.”

What Meyer says about the filming of The Twilight Saga: Breaking Dawn, which because of the expansive story line is being told in two parts. (Part 1 is scheduled for release Nov. 18 and Part 2 in November 2012):

•The much-anticipated wedding of Edward and Bella has not been filmed yet, but Stewart is being fitted for the as-yet-unrevealed bridal gown. “It’s such an interesting mix,” says Meyer. “It has a vintage feel, but at the same time, there’s an edge to it. It’s really beautiful. And then on Kristen — oh, she looks amazing in clothes —and in that dress she’s so lithe and unbelievable.”

•On working with Pattinson and Lautner: “Rob is more like Jacob than Edward. He’s goofy, he’s funny, he doesn’t take much seriously. But he can turn Edward on like that (she snaps her fingers) when he needs to be Edward. Taylor’s who we hang out with most. He’s a lot like fun, happy Jacob.”

•On her expanded role as co-producer of the two new movies: “The big difference is just being there and seeing everything. I feel I’ve seen so much of the movie and really understand what it will look like. There are still a lot of compromises. That hasn’t changed. It doesn’t make a huge difference, but I have a producer credit, which is crazy.”

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One question she won’t answer: whether the werewolf/shape shifter Jacob and Renesmee, the human/vampire hybrid child of Edward and Bella, could ever have children. (Jacob is a teenager, but baby Renesmee is aging at an accelerated rate.) “That is a question I’m reserving the right not to answer, because there is a chance I’ll go back to their story.”

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Fans, says Meyer, can expect a surprising performance when Stewart transforms from human to vampire. “She’s created a new character. I was really impressed. I’ve only really seen her as (the human) Bella, so to have her step up and change it in the right way — she didn’t have to talk to me. She knew. She knows the character so well now. She has really good instincts, and she looks amazing.”

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On the filming of the birth of Bella and Edward’s baby, Renesmee, which in the novel is frightening and horrific, she says, “I’ve only seen a rough cut and there are pieces missing, but I don’t feel like it’s graphic. You’re not seeing it, but you know what’s happened. It’s emotional. It doesn’t feel horror-ish. There’s blood, probably the most blood we’ve ever seen in the series. But everything’s in flux; we’ll see in the final cut.